The conception of editing a lively action moving picture is fairly easygoing to realise , right-hand ? There ’s a whole bunch of footage that need a whole lot of cutting to make the film work as a history . But how does editing workplace for an animated movie ?
It ’s not like there ’s a bunch of special animated scenes pose around to fiddle with since only the scenes that are going to be used in the movie get animated . And yet , being an editor on an invigorate photographic film is still one of the most of import jobs in gain the movie .
The editor in chief of Toy Story 3 , Ken Schretzmann , sums up an editor ’s job by saying in unrecorded action mechanism films , scenes are shoot first and then cut later while in animation film , you delete first and then shoot ( or in this showcase , animate ) later . The editor is very knotty in the whole physical process of making the film . They work with the writer and director from the very beginning and help oneself bring idea to storyboards to rough drafts of the animation . They ’re not just sheer down footage , they ’re helping create it too .

follow Andrew Saladino ofThe Royal Ocean Film Societyexplain just how important the persona of an editor in an animated film is in the video below .
AnimationEditing
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