director make so many filmmaking decisions that go unnoticed by casual viewers because we ’re not paying near attention — but the use of color is n’t one of them . Color straight off abide out . Films can be hyper colourful and smack you with the entire color wheel , or they can be totally muffle and monochromatic . You ’re able to greet the aesthetic and design because you have orb ( and are presumably not colorblind ) and can see what the director wants to show you , because it ’s literally right in front of you .
I enjoyedCineFix ’s prima donna into color in filmsbecause of their excellent analytic thinking and breakdown , and dateless example of the dissimilar manner and uses of colors . Here are what CineFix consider the best 10 uses of color in picture show chronicle :
In the Mood for Love ( jewel tone )
The Living Trilogy ( muffle )
The Grand Budapest Hotel ( delicate people of colour )
Only God Forgives ( neon )
Contempt ( triadic )
Vertigo ( complimentary people of colour )
Cries and Whispers ( monochrome )
Sin City ( selective saturation )
O Brother , Where Art Thou ? ( limited semblance )
The Fall ( hyper colorful )
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